Previous Work
Freelance Cameraman/Cinematographer, 1999-Present
National Geographic, Discovery Channel, Smithsonian, Oxygen Network, WETA/PBS, Sony Broadcast CineAlta, Travel Channel, ESPN, The US Capital, US Forest Service, NASA, Merlin Bikes, National Endowment for the Arts, The North Face, United States Navy, Sony Entertainment, Outdoor Channel, The Military Channel, History Channel.
To see a list of credits, please click here.
Freelance Photographer, 1995-Present
National Geographic Television, National Geographic Channels, National Geographic Society, PBS, Smithsonian, National Air & Space Museum, Sony Broadcast and Business Solutions, Newport News Shipbuilding, VLTOR Weapon Systems, Milkor USA, The Goddard Space Flight Center, Under Armor, The American Heart Association, Sennheiser, NBC, National Endowment for the Arts, Pelican Products, Patagonia Inc, NBC “Dateline”, Black Diamond Equipment, Petzl, South African Embassy, Motorola, Gates Underwater Housings, Electrophysics, Canon USA, The North Face, Mountain Hardware, The Wolf Trap Foundation, Iridium Communications, Sig Arms.
To see a list of credits, please click here.
Production Equipment Manager
National Geographic Television & NGC Channels Worldwide
1993-2001
In this position, I evaluated and acquired relevant motion picture, video, photographic, sound, lighting, field and expedition equipment and oversaw daily operations of an equipment room with an inventory valued over $30 million. My job sometimes required to specially fabricate mounts, housings and equipment to support production. I introduced Steadicam, Glidecam, Sony DVCAM™, Panasonic DVCPRO™ and later Sony, Panasonic and Ikegami HD technology.
I was also responsible to educate staff on the newest technology, and provide instruction when needed. I frequently prepped Associate Producers and Production Assistants going into the field on how to use different cameras, audio and lighting equipment.
As the National Geographic Television, and later The National Geographic Channel’s outfitter, I kept up with the latest trends, as well as formulated and maintained relationships with many diverse manufacturers worldwide providing clothing and equipment for production.
Aside from providing equipment, I consulted Producers, AP’s and staff on visual ideas through production equipment techniques and various diverse equipment applications to tell a story.